by Sebastian Milbank, The Critic
If the past is a foreign country, it’s one against which we appear to be racist
If you care about truth, beauty or goodness, I have bad news for you: the BBC has just created a historical drama set in the Middle Ages. Yes, this is the arrival of King and Conqueror, which depicts the events leading up to the Battle of Hastings and the Norman Conquest. The raw matter of the historical record is incredibly promising: ferocious royal intrigues, hagiographical piety, civil and not so civil war, and all the strange poetics and ceremony of French and Anglo-Saxon courtly life. The culture that gave us Lincoln Cathedral and the culture that gave us Sutton Hoo, should be reason alone for the most spectacular of costumes, battles and speeches.
But anyone hoping for a moving epic or a gripping thriller would be equally disappointed, as the brainless BBC tramples cheerfully into a sordid pastiche even more gormless than Game of Thrones (which at least had a decent budget). Future King of England Harold Godwinson (played by James Norton) is introduced to audiences uttering the admittedly pretty Anglo-Saxon phrase “it’s a fucking massacre”, in the manner of someone commenting on an especially brutal 3-nil football match.
I could induce miserable groaning from readers at this point by listing every meta-level historical inaccuracy from the almost entirely fictitious events of the coronation, to the succession of geographical and biographical distortions that rain down on viewers like so many 11th century arrows, to the inexplicable but inevitable (it’s the BBC) presence of black Anglo-Saxons. But none of these departures from the historical record are inherently unforgivable and might in theory be justified in the name of telling a compelling story.