Is defeating Stonewall the end of the story?

Dec 1, 2021 by

by Simon Edge, The Critic:

A couple of weeks ago Nancy Kelley, the media-shy CEO of the embattled trans lobby group Stonewall, gave a rare interview to Emma Barnett of BBC Radio 4’s Woman’s Hour. In it, she struggled to give coherent answers to questions on matters that have preoccupied public discourse for months, such as the hounding of Professor Kathleen Stock from her job at the University of Sussex, or her own suggestion that belief in the immutability of sex is as bad as anti-semitism.

Her stumbling, evasive responses — at one point claiming to have “no idea” whether JK Rowling was transphobic, as Stonewall’s supporters angrily insist, because she had “never met her” — reinforced the impression that hiding behind the mantra “No Debate” has done trans activists few favours; they are notably ill-equipped for debate once it eventually happens. As one widely shared tweet put it, Kelley’s interview was “a real Wizard of Oz moment” when the voice behind the mighty Stonewall was “revealed to be an easily confused woman who barely knew what day of the week it is”.

In the MGM movie classic, the illusionist behind the curtain is Professor Marvel, a bad wizard but an accomplished con-artist who is smart enough to have pulled off a major deception, so the parallel doesn’t entirely hold. But it does raise an important question for those of us battling to undo the havoc caused by gender ideology to schools, women’s refuges, prisons, sport, publishing, higher education and many other environments: is Stonewall really in charge, or is the charity the puppet of other, less visible strategists? If the latter, reining in Stonewall may not be the win we’re hoping for.

Kelley occupies a seat warmed for her by brighter predecessors, such as Angela Mason, architect of the first victories on lesbian and gay law reform, and my old journalist colleague Ben Summerskill, a strategic genius who completed the process.

Summerskill’s deputy, Ruth Hunt, was also formidably talented. When she took over in 2014, she and her board had to decide which way to go: wind the charity down because its work was done, or find new battles?

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