By Michael Rainsborough, Daily Sceptic. (Image: Public Domain via Wiki Commons)
How many Ministries of Truth does one country need? With Andy Burnham announcing yet another, Prof Michael Rainsborough points out that Britain’s “narratives of decline” arise because the country is, in fact, declining.
In previous essays I have sought to describe the political condition into which Britain and other Western democracies have been drifting by offering various analogies. At first, I tried being serious. My initial forays drew comparisons with the post-totalitarian societies of late communist Eastern Europe, where the widening distance between official propaganda and observable reality produced an ever-greater institutional effort to enforce the official world view. Later essays pursued the analogy more directly, asking whether Britain was becoming increasingly Sovietised, with some of the same characteristics of a political order in severe decline becoming recognisable. With the supply of serious comparisons running low, and the ironies apparently passing unnoticed, there seemed little left to do except laugh.
Once the absurdities become difficult to describe with a straight face, parody is the logical next step. The difficulty now has been making the exaggeration last until publication. Institutions and bureaucratic inventions for comic effect have acquired real-world counterparts before the joke has had time to land.
WISDOM escapes into the wild
A few weeks back my satirical turn took the form of ‘The Spy Who Came in From the Consensus‘, a John le Carré spoof in which the machinery of the contemporary British state deployed its formidable powers of information gathering to confirm what it already believed. At the centre of the story was WISDOM, the Whole-of-Institution Strategic Data and Outcomes Management system. Created to defend Britain against foreign disinformation, it soon graduated to monitoring “harmful narratives”, “problematic nostalgia”, declining trust and negative sentiment about immigration. A genuine photograph of migrants arriving on a beach was flagged for “decontextualised visual framing”. Requests for original sources and factual corrections became possible indicators of hostile interference.