The narcissism of wedding photographers
by Giles Fraser, UnHerd:
Photographers have long had an uneasy relationship with the sacred. There is the age-old anxiety that a photograph can steal a soul. And last week, more than 900 wedding photographers signed a petition complaining that “problematic vicars” can be “rude, humiliating, aggressive and abusive”. The fact is, the sacred has a deep and visceral distrust of the whole business of taking photos, which — in our Instagram-addled age — has resulted in a colossal culture clash.
One photographer, Rachel Roberts, who launched the petition, took a pop at problematic vicars. “They basically forget the fact that two people are getting married, and it’s the most important day of their lives. They put their own objectives and their own rules first and forget the reason why we’re all actually here.” Talk about getting things the wrong way round. The reason we are all there is for two people to enter into holy matrimony, not for wandering photographers to get the best angle for the album.
The problem is that photographs don’t just record reality — they change it. Quantum physicists talk of the observer effect: the very act of observing reality causes a disturbance within it, and thus changes it. Something similar is true of wedding photography. We pose for photographs. We behave differently when we are being captured on film. We may feel awkward or self-conscious; we may pout or posture. In extreme cases, reality is bent around the presence of the photographic: lighting is enhanced, people are asked to stand in different places and look in different ways. Reality becomes a stage set.
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